ZARZUELA!
SPANISH OPERA FROM THE BOSTON ARTS CONSORT TO YOU
Zarzuela!
Spain’s unique brand of opera filled with music, dance, comedy and
passion is coming to the Democracy Center in Cambridge on Saturday,
September 28th.
Be part of the production by singing the fiery choruses and clapping
to the rhythmic palmas of flamenco, while lovers woo and men duel
over their señoritas, and get to know a little-know gem in Harvard
Square —the Democracy Center, a non-profit haven that has been
proving space for events, classes, the arts, and community
collaboration since 2001 with the goal of advancing peace and
justice.
The
Boston Arts Consort performers include Elizabeth Leehey, clarinet;
Eva Lorca, flamenco artist; Donal O’Sullivan, actor; Linda
Papatopoli, pianist and director; Roberto Rios, flamenco guitar;
Clara Sandler, mezzo-soprano; and Gary Tucker, baritone.
Doors
open at 7:00 PM for guided tours of the Democracy Center. At 8:00 the
music event begins with lecture by Margarita Campos, Professor of
Communications, Barcelona University.
Tours
of the Democracy Center are free of charge. Tickets for “Zarzuela”
are free to students with ID and $10 general public, and can be
purchased at the door.
The
Democracy Center is located at 45 Mount Auburn Street, a short walk
from the Harvard T Station.
Please
call The Boston Arts Consort at 617-666-7973 for more information.
Performer and Choreographer; Teacher of Tap, Flamenco and Yoga, all ages, all abilities.
Showing posts with label boston. Show all posts
Showing posts with label boston. Show all posts
Friday, August 23, 2013
Saturday, June 29, 2013
Outside the Box Festival Boston: Eve Costarelli to perform!
Always Be Dancing!
Anthony Tiriti Tran and I are thrilled to be a part of Outside the Box, a
free, outdoor arts festival in Boston, July 13 - 21, 2013!
You will find YAMA artists/ensembles:
Alastair Moock, Behind the Mask, Eve Costarelli, Mystic Paper Beasts, Odaiko New England and Roots Music Collective on
the "Lily Pad" and "Squirrel's Den" stages on Boston
Common.
Come see Eve
Costarelli and Anthony Tiriti Tran presenting “The Birth of Flamenco” on the
Lily Pad stage (next
to the Frog Pond) on Thursday
July 18th and Saturday July 20th, both shows start at
12noon.
A revolutionary event is happening this July in the heart of
Boston, one that promises to unite neighborhoods, citizens, and artistic
communities throughout the city: Outside
The Box.
From July 13th – 20th, the first annual performing arts festival will turn public spaces like the
Boston Common and City Hall Plaza into performance spaces, with over 200 events
showcasing the best of Boston and Massachusetts.
And one of the things that makes Outside The Box so
revolutionary? Every event is completely
FREE!
In true festival tradition, Outside The Box not only aims to
unify the community, but to make art accessible to everyone. From theater to
dance, the symphony to independent bands, classic to cutting-edge – whatever
your preference, Outside The Box will intrigue you, draw you in, and introduce
you to new talent. All you have to do is show up, and let our diverse
programming do the rest.
Now more than ever is the time to support the city and show the
world our talents, so join us this summer at Outside The Box, Boston’s MASSive
performing arts festival.
Monday, April 9, 2012
Paco de lucía
If you do not have your tickets yet, there is still time! Do not miss this fabulous show!
WORLD MUSIC/CRASHarts PRESENTS
From Spain
Paco de lucía
Wednesday, April 11, 7:30pm, Boston Opera House
“The most advanced guitarist in any idiom.”—Guitar Review
For tickets and information call World Music/CRASHarts at (617) 876-4275 or buy online atwww.WorldMusic.org.
One of the world’s greatest guitarists, Paco de Lucía is a living legend of flamenco music. Considered by many to be the most innovative and influential flamenco artist of the last 40 years, he has had a revolutionary impact on the art form, infusing it with new life and bringing it worldwide attention. Paco de Lucía will be performing with his world-renowned flamenco sextet and the spectacular dancer Farruco.
Labels:
boston,
CRASHarts,
Farruco,
flamenco,
guitar,
Opera House,
Paco de Lucia,
world music
Thursday, December 1, 2011
WORLD MUSIC/CRASHarts ANNOUNCES FLAMENCO FESTIVAL 2012
WORLD MUSIC/CRASHarts ANNOUNCES
FLAMENCO FESTIVAL 2012
Compañía Rafaela Carrasco
Performing the Boston premiere of Vamos al Tiroteo
Friday, March 2, 8pm l Saturday, March 3, 8pm l $65, $50, $40
Friday, March 2, 8pm l Saturday, March 3, 8pm l $65, $50, $40
Cutler Majestic Theatre at Emerson College, 219 Tremont St., Boston
From Seville, Rafaela Carrasco is a breathtaking dancer and one of the most important flamenco choreographers of her generation. With her company of five dancers and live musicians, she displays her rare ability to explore new concepts while maintaining the essence and integrity of flamenco in Vamos al Tiroteo. Set to a selection of popular Spanish songs originally recorded by Federico García Lorca and sung by La Argentinita in 1931, Vamos al Tiroteo brings new life and energy to the music that inspired a hugely influential generation of flamenco artists.
Compañía Olga Pericet
Performing the Boston premiere of Rosa, Metal y Ceniza
Sunday, March 4, 7pm l $65, $50, $40
Cutler Majestic Theatre at Emerson College, 219 Tremont St., Boston
Boston debut
One of flamenco’s most exciting new talents, Olga Pericet is a young, diminutive yet powerful dancer. Her elegant new work, Rosa, Metal y Ceniza, won the Revelación prize at last year´s Festival de Jerez. It seamlessly blends dream references with traditional and contemporary flamenco dance and features Pericet joined by two male dancers and live musicians.
Also this season, don’t miss:
From Spain
PACO DE LUCÍA
Wednesday, April 11, 7:30pm l $75, $60, $40
Wednesday, April 11, 7:30pm l $75, $60, $40
The Boston Opera House, 539 Washington St, Boston
“The most advanced guitarist in any idiom.”—Guitar Review
One of the world’s greatest guitarists, Paco de Lucía is a living legend of flamenco music. Considered by many to be the most innovative and influential flamenco artist of the last 40 years, he has had a revolutionary impact on the art form, infusing it with new life and bringing it worldwide attention. Paco de Lucía will be performing with his world-renowned flamenco sextet and the spectacular dancer Farruco.
●●●
Tuesday, July 19, 2011
Uno Breve: A Short Session Celebrating the Music of Spain
UNO BREVE: A Short Session Celebrating the Music of Spain Presented by the Boston Arts Consort, Linda Papatopoli, Director
The Kaji Aso Studio, 40 St. Stephen Street, Boston
Friday, August 5th, 6PM: DANZA Spain’s classical music and flamenco and the influence of the Americas will be highlighted with flamenco artists Eva Lorca & Roberto Rios, clarinetist Liz Leehey & pianist Linda Papatopoli.
This event is free and open to the public.
The Kaji Aso Studio, 40 St. Stephen Street, Boston
Friday, August 5th, 6PM: DANZA Spain’s classical music and flamenco and the influence of the Americas will be highlighted with flamenco artists Eva Lorca & Roberto Rios, clarinetist Liz Leehey & pianist Linda Papatopoli.
This event is free and open to the public.
Labels:
boston,
Boston Arts Consort,
flamenco,
Spanish classical
Tuesday, June 21, 2011
Dos Breves: Two Short Sessions Celebrating the Music of Spain
DOS BREVES
Two Short Sessions Celebrating the Music of Spain
Presented by the Boston Arts Consort, Linda Papatopoli, Director
The Kaji Aso Studio, 40 St. Stephen Street, Boston
Breves No. 1, Friday, July 1, 6PM: FOR GUITAR AND PIANO Solo music and duets especially arranged by the performers exploring the relationship between Spanish guitar and piano composition. Tom Rohde, guitar & Linda Papatopoli, piano.
Breves No 2, Friday, August 5th, 6PM: DANZA Spain’s classical music and flamenco and the influence of the Americas will be highlighted with flamenco artists Eva Lorca & Roberto Rios, clarinetist Liz Leehey & pianist Linda Papatopoli.
Location:
40 St Stephen St, Boston, MA 02115, USA
Friday, June 17, 2011
OMAYRA AMAYA Flamenco Dance Workshop AUGUST 22-28 2011 BOSTON MA
Registration is now open! Discounted early registration rates are available now until Aug 1.
To register, go to http://www.flamencoboston.
CLASS SCHEDULE
The full schedule is here for technique (all levels) and choreography (intermediate/advanced) workshops.
Monday to Friday
Aug 22-26
technique 6 - 7:30 pm
choreography 7:30 - 9 pm
Saturday and Sunday
Aug 27-28
technique 11:00am - 12:30pm
choreography 12:30 - 2pm
LOCATION
Boston Percussive Dance: 185 Green Street, Cambridge MA 02139
CONTACT
lauren@flamencoboston.com
PRICE: Early Registration Discount until Aug 1
$200 one workshop
$350 both workshops
REGULAR PRICE (after Aug 1)
$35 single class
$220 one workshop
$420 both workshops
Space is limited.
To register via PayPal:
www.flamencoboston.com/wor
WALK-IN & CANCELLATION POLICY
Class size is limited. Walk-ins for single classes may not be available if the class is filled. A cancellation fee of $30 will be retained if cancellation is received two weeks before start date. No refunds will be available after that time.
I found a nice write up about Omayra at Arte Y Vida Chicago. Check it out!
Monday, November 22, 2010
Pepe Torres and Juan del Gastor
Yesterday's performance by Pepe Torres and Juan del Gastor was a phenomenal show. I loved the authenticity and generosity of the performers. The fin de fiesta where Juan sang was one of the most memorable moments as was the opening when Pepe played the guitar solo.
Labels:
Berklee,
boston,
flamenco,
flamenco festival,
juan de gastor,
pepe torres,
world music
José Barrios in In Case Dawn Breaks with special guest - jazz legend Arturo Sandoval
Suffolk University & Fundación Conservatorio Flamenco Casa Patas
presents the inaugural performance
presents the inaugural performance
at The Modern Theatre:
José Barrios in
In Case Dawn Breaks
with special guest - jazz legend Arturo Sandoval
Tuesday, Nov. 30 at 7:30 p.m.
In Case Dawn Breaks
with special guest - jazz legend Arturo Sandoval
Tuesday, Nov. 30 at 7:30 p.m.
WHAT: Suffolk University & Fundación Conservatorio Flamenco Casa Patas are pleased to open the inaugural season of The Modern Theatre with Casa Patas Director and Choreographer José Barrios in Por si acaso amanece (In Case Dawn Breaks), with special guest jazz legend Arturo Sandoval; with musical direction by Isaac Muñoz and Jesús Núñez. This internationally acclaimed ensemble explores the fusion of flamenco with jazz, klezmer, and the blues.
WHEN: Tuesday, Nov. 30 at 7:30 p.m.
WHERE: Modern Theatre, 525 Washington Street, Boston
TICKETS: $30 general public; $15 Suffolk community, students and seniors. Tickets can be purchased online at www.brownpapertickets.com or 1-800-838-3006. More information can be found at www.moderntheatre.com.
Labels:
arturo sandoval,
blues,
boston,
casa patas,
flamenco,
jazz,
klezmer,
modern theatre,
suffolk university
Saturday, October 30, 2010
Saturday Morning Private lessons...and Radio City Christmas Spectacular
Saturday mornings have turned into a time when I teach private lessons. I love this time so much. I am at home, in my own space, working one-on-one with students who are seeking to discover more about dance in their own bodies. We deal with technique, choreography and self-expression. I especially enjoy the connect I get to have with these students. It is awakening to my soul and allows me to tap into my source and share.
I will add a special shout out to Nick Bazo, Manager of School Programs, Citi Performing Arts Center
who has taken me into the fold and will be including me in a 6 week residency in the Boston Public Schools in conjunction with Target. THE TARGET ARTS IN-SCHOOL THEATRE RESIDENCY PROGRAM 2010-2011: RADIO CITY CHRISTMAS SPECTACULAR.
"The Target Arts program, now in its second year, is a unique city-wide collaboration among Boston’s fine arts, cultural, and municipal organizations. The program aims to improve school success, engage families, and strengthen community by giving access to Boston’s rich offerings of music, dance, visual arts, theater and cultural events to students and families who typically have no opportunity to engage in the professional performing arts. Arts and cultural enrichment celebrations will develop diverse audiences by bringing information to the community through school-based development, community outreach, and citywide collaboration. The BPS Arts Office in partnership with Citi Performing Arts Center coordinates Target Arts programming.This programming includes in-school residencies and special guest artist visits and an invitation to view professional performances at Citi Performing Arts Center and other Boston Theatre District venues."
These city schools are nearly devoid of art classes, so I want to give three cheers for Target and thank them for their generosity. Thank you also to Ms. Adrienne Hawkins for the great reference!
Ole Namaste!
Sunday, October 17, 2010
Young Audiences Fall 2010 Showcase Review: First 1/2 of the day
On Monday September 27th. I went to the Northeast Elementary School in Waltham, MA for the Young Audiences Fall 2010 Showcase. I was greeted cheerfully at the door and there was a name tag waiting for me along with a well organized folder with the day’s schedule of performers.
The performances were spread out from 9AM-1PM running consecutively in four different spaces within the school. Along with the varied PTO reps, professionals and other curious adults, there were lots of children from within the school enjoying the performances. It gave you a real sense of how that age group would react to each performance.
I did a lot of running between the spaces. Each performing group only had 15 minutes to showcase themselves.
I started in the gym with Made in the Shade (Jazz: From New Orleans to New York) for grade 5: There were four guys (guitar, bass, trumpet and drum kit). They played jazz mixed with soul, R & B and rock and roll. They first laid out some jazz fusion (which is a uniting of two pr more styles). For this they played the song "Cantaloop". They got the whole audience clapping and had a really nice solo guitar section. Next they played some Latin Jazz which is jazz with Latin rhythms. There was a nice drum solo and the clapping was very engaging for the audience. They even did a little silly dancing on the stage, (plus some limbo). They were very energetic and all in all a fun group.
Before they had finished, I scooted off to the cafeteria to see Opera Boston performing for 1st graders who were doing a fine and fun rendition of Little Red Riding Hood. They posed questions throughout there act and engaged the audience by asking for their help. This was VERY engaging for the first graders and had them laughing and calling out answers gleefully. The show was silly and light and made opera very accessible for all. You could see the piano playing accompanist and I thought this was very nice and up front. They had a nice set and I liked their modern take on the costumes. Little red Riding Hood. A children's opera in one act. Words and music by S. Barab. Vocal score by the composer, etc
Taking a little rest, I remained in the cafeteria to see Leland Faulkner: World of Wonder, being performed for the 1st grade. He started with a brief description of his act and explained that stories are not only in books, that stories can be told through magic. He emphasized that dreaming is the real magic. This performance was utterly magical and thoroughly engaging, I mean for the kids and all the adults in attendance. He started with a large round screen at the front of the stage and from there, with a CD player playing in the background. He did the most fun and amazing hand shadow puppets and had the audience laughing out loud, fully and everyone was engaged by his antics. At times, he would step out form the screen and pantomime and then jump right back and make more puppets. He did a cat, dog, rabbit, rooster, frog, bird, squirrel, llama, deer, a dog chasing a squirrel, a swan, spider, scary face with cool sound effects and an elephant, owl and a very animated parrot to just name a few. There were lots of screams of laughter from the audience. He talked about how to make the puppets and had everyone follow simple directions to make a dog face. He explained clearly about shadows and their relation to light. Much of his act did not need words, his imagery said it all. His show was engaging and humorous. He then started a magic section of his show, but I wanted to check out Odaiko in the gym, so I scurried off.
Now in the gym again, watching Odaiko: Taiko Thunder, performing for grade 5. I know Juni personally as my cousin Diane is involved with Odaiko, but speaking objectively, this is a great show, They had two drummers and a about 4 drums, Juni and her associate were very engaging to the audience with a whole call and response thing in the beginning. They told the story of Taiko drumming and the many uses that Taiko have been used for. As Juni spoke, the other drummer played the drum in the background adding to the pulse of the show. This style of drumming is not only about the extraordinary rhythms but also about the graceful dance like movements of the drummer. Odaiko is full of rhythmic power and graceful beauty. My eyes were riveted to the stge. This show was extremely authentic, dynamic and I was tingling at the end.I loved the rhythms; they made me want to get up and dance.
I ran to the cafeteria and caught a brief moment of Myth Masters: Tales from Greek Mythology, performing for grade 3. They were good story tellers and the show was smooth, but I did not see enough of it to get a good sense of it.
I went to classroom 117 to catch a few minutes of the Improv Boston Anti-bullying workshop for grade 4. They were pay acting a scene and making it very clear that words make a difference; that words can hurt; and that you should think about what you are going to say before you say it and make a choice about your words. They asked for an audience member to come up and join in their improv and tons of hands shot right up. This participant was to say "ding" whenever he saw something in the scene being acted out that he felt was bullying. They asked the rest of the audience to choose a setting for their scene (in drama class was chosen) and off they went. They were silly and larger than life with their getting the point across that words can hurt as much as a slap.
Back on the run, I was in the gym again to see Deraldo Ferreira: Capoeira: Afro Brazilian Music and dace being performed for grade 3. Deraldo is also a friend of mine from the Dance Complex Cambridge, where we both teach classes (I am a children’s tap teacher there and have taught youth to tap dance for 15 years at this location-actually Rozann Kraus, the Grand Puba, pushed me in the beginning to rent the pace and start teaching. Ole Rozann!). Deraldo had flash cards he used that had Brazilian words on them and as he related his story he would hold up the cards and have the audience repeats the words. He gave a very good history of Capoeira, the Brazilian dance style, and on an easel, he had a large map of Brazil. He had very authentic costumes and two dance members came out and did a traditional dance called "Maculele". It was thrilling and very interesting, even though I thought the space was a bit small for them. The costumes were great and then Deraldo played the drum and sang while they danced. The dancers were very exciting, and they even did some really cool flips. The show was flashy in an authentic way and the kids were thoroughly entranced.
I arrived at 9AM and I am only at 10:25 right now. More to come as I saw 7 more shows!
The performances were spread out from 9AM-1PM running consecutively in four different spaces within the school. Along with the varied PTO reps, professionals and other curious adults, there were lots of children from within the school enjoying the performances. It gave you a real sense of how that age group would react to each performance.
I did a lot of running between the spaces. Each performing group only had 15 minutes to showcase themselves.
I started in the gym with Made in the Shade (Jazz: From New Orleans to New York) for grade 5: There were four guys (guitar, bass, trumpet and drum kit). They played jazz mixed with soul, R & B and rock and roll. They first laid out some jazz fusion (which is a uniting of two pr more styles). For this they played the song "Cantaloop". They got the whole audience clapping and had a really nice solo guitar section. Next they played some Latin Jazz which is jazz with Latin rhythms. There was a nice drum solo and the clapping was very engaging for the audience. They even did a little silly dancing on the stage, (plus some limbo). They were very energetic and all in all a fun group.
Before they had finished, I scooted off to the cafeteria to see Opera Boston performing for 1st graders who were doing a fine and fun rendition of Little Red Riding Hood. They posed questions throughout there act and engaged the audience by asking for their help. This was VERY engaging for the first graders and had them laughing and calling out answers gleefully. The show was silly and light and made opera very accessible for all. You could see the piano playing accompanist and I thought this was very nice and up front. They had a nice set and I liked their modern take on the costumes. Little red Riding Hood. A children's opera in one act. Words and music by S. Barab. Vocal score by the composer, etc
Taking a little rest, I remained in the cafeteria to see Leland Faulkner: World of Wonder, being performed for the 1st grade. He started with a brief description of his act and explained that stories are not only in books, that stories can be told through magic. He emphasized that dreaming is the real magic. This performance was utterly magical and thoroughly engaging, I mean for the kids and all the adults in attendance. He started with a large round screen at the front of the stage and from there, with a CD player playing in the background. He did the most fun and amazing hand shadow puppets and had the audience laughing out loud, fully and everyone was engaged by his antics. At times, he would step out form the screen and pantomime and then jump right back and make more puppets. He did a cat, dog, rabbit, rooster, frog, bird, squirrel, llama, deer, a dog chasing a squirrel, a swan, spider, scary face with cool sound effects and an elephant, owl and a very animated parrot to just name a few. There were lots of screams of laughter from the audience. He talked about how to make the puppets and had everyone follow simple directions to make a dog face. He explained clearly about shadows and their relation to light. Much of his act did not need words, his imagery said it all. His show was engaging and humorous. He then started a magic section of his show, but I wanted to check out Odaiko in the gym, so I scurried off.
Now in the gym again, watching Odaiko: Taiko Thunder, performing for grade 5. I know Juni personally as my cousin Diane is involved with Odaiko, but speaking objectively, this is a great show, They had two drummers and a about 4 drums, Juni and her associate were very engaging to the audience with a whole call and response thing in the beginning. They told the story of Taiko drumming and the many uses that Taiko have been used for. As Juni spoke, the other drummer played the drum in the background adding to the pulse of the show. This style of drumming is not only about the extraordinary rhythms but also about the graceful dance like movements of the drummer. Odaiko is full of rhythmic power and graceful beauty. My eyes were riveted to the stge. This show was extremely authentic, dynamic and I was tingling at the end.I loved the rhythms; they made me want to get up and dance.
I ran to the cafeteria and caught a brief moment of Myth Masters: Tales from Greek Mythology, performing for grade 3. They were good story tellers and the show was smooth, but I did not see enough of it to get a good sense of it.
I went to classroom 117 to catch a few minutes of the Improv Boston Anti-bullying workshop for grade 4. They were pay acting a scene and making it very clear that words make a difference; that words can hurt; and that you should think about what you are going to say before you say it and make a choice about your words. They asked for an audience member to come up and join in their improv and tons of hands shot right up. This participant was to say "ding" whenever he saw something in the scene being acted out that he felt was bullying. They asked the rest of the audience to choose a setting for their scene (in drama class was chosen) and off they went. They were silly and larger than life with their getting the point across that words can hurt as much as a slap.
Back on the run, I was in the gym again to see Deraldo Ferreira: Capoeira: Afro Brazilian Music and dace being performed for grade 3. Deraldo is also a friend of mine from the Dance Complex Cambridge, where we both teach classes (I am a children’s tap teacher there and have taught youth to tap dance for 15 years at this location-actually Rozann Kraus, the Grand Puba, pushed me in the beginning to rent the pace and start teaching. Ole Rozann!). Deraldo had flash cards he used that had Brazilian words on them and as he related his story he would hold up the cards and have the audience repeats the words. He gave a very good history of Capoeira, the Brazilian dance style, and on an easel, he had a large map of Brazil. He had very authentic costumes and two dance members came out and did a traditional dance called "Maculele". It was thrilling and very interesting, even though I thought the space was a bit small for them. The costumes were great and then Deraldo played the drum and sang while they danced. The dancers were very exciting, and they even did some really cool flips. The show was flashy in an authentic way and the kids were thoroughly entranced.
I arrived at 9AM and I am only at 10:25 right now. More to come as I saw 7 more shows!
Labels:
boston,
brazil,
bullying,
capoeria,
dance complex,
deraldo ferreira,
improv,
maculele,
odaiko,
ole,
puppet,
rozann kraus,
shadow,
showcase,
taiko,
tap dance,
waltham,
young audiences
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