Tuesday, November 9, 2010

John Steven Gurley comes to Brown Elementary School, Natick, MA


Today I volunteered for the Cultural Arts Committee at Brown Elementary to sit in on the visit by John Steven Gurney, the illustrator for the A-Z mysteries and writer/illustrator of other books Dinosaur Train (and to our delight we discovered he has  also illustrated games such as "Guess Who? and jigsaw puzzles.

Mr. Gurney began his presentation by telling the students the many different projects he has illustrated, over 120 books now! He told them how he came to be an illustrator and an author. He talked about his childhood love of drawing and how that grew and expanded as he became an adult. I liked that he said "pictures tell a story". He explained that first he reads what an author has written and then using his imagination, he draws his own artistic interpretations. This is his form of communication and he notes that a good picture should tell you what you are looking at but a really good picture keeps revealing more details each time you look at it.

His Power Point presentation began by showing one of his illustrations and his talking about his use of symbolism to communicate what the picture is representing. He explained he needed to think of colors, lighting and character design for each illustration. I liked that Mr. Gurney showed the children an interesting career path and he allowed that many paths can come from a love to draw and that this was only the path he chose and that going to college helped him make wise career choice. He used beautiful strong words, such as imagination, originality and inspiration (both loving to inspire and to be inspired).

He explained when he illustrates that he has to ponder some points:
1. What is the illustration going to be used for?
2. Character Design
3. How to get the characters in the illustration to relate to each other

For a book cover, consider:
1. Main Characters
2. Not to give the ending away, but show what the book is about.
3. Make the reader curious!

The best part of the Power Point was his layout of the rough draft to completion of the book he both authored and illustrated "Dinosaur Train". It was very informative and gave a real slice of life of the journey he took.

 I really enjoyed this presentation especially in connection to the fact that the third grades' next monthly book project is "making a book jacket for a book they have just read. Mr. Gurney is soft spoken, but had the children listening to what he had to say. Even at times when the kids began to squirm, he found a way to pull them back in. I was impressed at how focused this whole group of 3rd and 4th graders were. I recommend his visit especially for the 3/4 grade level as I can see how pertinent his presentation was to their curriculum.

The event ended with some fast and fun group drawing activities that had the all the kids (and me) laughing and collaborating and enjoying themselves.
His website:
http://www.johnstevengurney.com/  (check school visits section)

The following is an excerpt from his website:

The main focus of my presentation is the thought process involved in the creation of an illustration.  I discuss my background and my creative process as an author and illustrator. I touch briefly on the business of publishing. I show a PowerPoint presentation that focuses on my own development specifically, and generally on what makes any illustration an effective device for telling a story (it should be noted that because of the nature of my work, many of slides are quite funny -but don't tell the kids that, let it be a surprise), I demonstrate with volunteers from the audience how I have kids pose as models for my illustrations. In closing I  draw an 18 x 24 caricature of someone from the audience. If we can get the kids some clip boards with paper (or their notebooks) I can lead them in some fun drawing activities. 

Monday, November 8, 2010

Burlar: to deceive (but with a fun flair)



To dance Bulerias is to let it all hang out and to really get into the groove of flamenco. It is so guttural, like rap music...so heavy with a bass beat that it sends you into a flurry of movement and expression and feeling. You take the middle of the circle and you lay out what you got. The head spins, the 360's, the calls and rhythm. They walk hand in hand.

Teaching a Bulerias lesson today had me thinking about all that I know about Bulerias as a dance, a rhythm, a feeling.

We can break the rhythm down into 4 Palmas rhythms (and a million can be made form these basics):
12 1 2 3 4 5 6 7 8 9 10 11 12
12 1 2 3 4 5 6 7 8 9 10 11 12
12 1 2 3 4 5 6 7 8 9 10 11 12
12 1 2 3 4 5 6 7 8 9 10 11 12

What I realized is that a great analogy for the sound that your hands should make when clapping would be likening the two hands to be like a drum and a drum stick. The drum hand has to have a certain cupped shape (think of the skin stretched across a drum and make your hand be a good strong drum skin. Not rigid not loose. You need to work at it to find your sweet spots.to make sure that the drum stick hand makes the best sound when it strikes. I thoroughly believe that the sound that is needed for flamenco is not a sound that ends when the two hands meet, but instead is made when the two hands separate, giving more resonance to the clap and then you can play with the spaces between the claps. The quieter tones cause the hands to be closer together, causing the bellows created between the hands to have a a short puff of air, but for the stronger accents, the hands separate farther and when coming together more air is pressed between the hands causing a hiccup in time and a clap with more accent is then created. This hiccup I liken to the motor of a Harley Davidson which has a patent for the sound it makes. In a Harley's engine, the two cylinders sit at a 45 degree angle with a single pin crankshaft and that gives you the "put" "put" "pause" sound like "potato" "potato" (or "patata" "patata" in Spanish)**


**For those of you who really want to understand this, I have a fully description of the Harley engine below.



**"The classic Harley-Davidson engines are two-cylinder, V-twin engines with the pistons mounted in a 45° "V". The crankshaft has a single pin, and both pistons are connected to this pin through their connecting rods.[6] The design causes the cylinders to fire at uneven intervals. This is an engineering trade off to create a large, high-torque engine in a small space. This design choice is entirely vestigial from an engineering standpoint, but has been sustained because of the strong connection between the distinctive sound and the Harley-Davidson brand. This design, which is covered under several United States patents, gives the Harley-Davidson V-twin its unique choppy "potato-potato" sound. To simplify the engine and reduce costs, the V-twin ignition was designed to operate with a single set of points and no distributor. This is known as a dual fire ignition system, causing both spark plugs to fire regardless of which cylinder was on its compression stroke, with the other spark plug firing on its cylinder's exhaust stroke, effectively "wasting a spark". The exhaust note is basically a throaty growling sound with some popping. The 45° design of the engine thus creates a plug firing sequencing as such: The first cylinder fires, the second (rear) cylinder fires 315° later, then there is a 405° gap until the first cylinder fires again, giving the engine its unique sound.[75]

Saturday, October 30, 2010

Saturday Morning Private lessons...and Radio City Christmas Spectacular


Saturday mornings have turned into a time when I teach private lessons. I love this time so much. I am at home, in my own space, working one-on-one with students who are seeking to discover more about dance in their own bodies. We deal with technique, choreography and self-expression. I especially enjoy the connect I get to have with these students. It is awakening to my soul and allows me to tap into my source and share.

I will add a special shout out to Nick Bazo, Manager of School Programs, Citi Performing Arts Center
who has taken me into the fold and will be including me in a 6 week residency in the Boston Public Schools in conjunction with Target. 

THE TARGET ARTS IN-SCHOOL THEATRE RESIDENCY PROGRAM 2010-2011: RADIO  CITY CHRISTMAS SPECTACULAR.
"The Target Arts program, now in its second year, is a unique city-wide collaboration among Boston’s fine arts, cultural, and municipal organizations. The program aims to improve school success, engage families, and strengthen community by giving access to Boston’s rich offerings of music, dance, visual arts, theater and cultural events to students and families who typically have no opportunity to engage in the professional performing arts. Arts and cultural enrichment celebrations will develop diverse audiences by bringing information to the community through school-based development, community outreach, and citywide collaboration. The BPS Arts Office in partnership with Citi Performing Arts Center coordinates Target Arts programming.This programming includes in-school residencies and special guest artist visits and an invitation to view professional performances at Citi Performing Arts Center and other Boston Theatre District venues."

These city schools are nearly devoid of art classes, so I want to give three cheers for Target and thank them for their generosity. Thank you also to Ms. Adrienne Hawkins for the great reference!

Ole Namaste!

Thursday, October 28, 2010

Fall Flamenco Festival 2010: Free ticket give away!

Be the first to answer the contest question correctly and you will win a pair of tickets to the Sunday 3PM show of Pepe Torres & Company!
QUESTION? What is the meaning of the word “gitaneria”?
Mail answer to Eve Agush at AdamAnt_Eve@hotmail.com

https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXcvrFtpDXwT5l1O2aXfSIRY-Ca0X5BJfhZcmprJcx01RXko2_eSB_iWwwNF9FnwGClGNnGEZMDu0MGZCuGjRz78I2rltNM8NZ5sWnFl1XaRx-86GcaGceP19Om8QGoUnP2fw_wmA3sGo/s640/image001.jpg

WORLD MUSIC/CRASHarts PRESENTS
Direct From Spain
FALL FLAMENCO FESTIVAL 2010: Gitano Roots of Flamenco
2 PROGRAMS
Featuring:
Angelita Vargas & Jairo Barrull
Performing the Boston premiere of Gitanerías
Friday, November 19, 8pm, Berklee Performance Center
-AND-
PEPE TORRES & cOMPANY
Performing the Boston premiere of Homenaje
Sunday, November 21, 3pm, Berklee Performance Center

Tickets:$50-$30
FOR MORE INFO OR TO BUY TICKETS ONLINE NOW!
Groups of 20 or more receive a 20% discount on tickets when purchasing tickets in advance with World Music. Call 617-876-4275 for details.
For tickets and information call World Music/CRASHarts at (617) 876-4275 or buy online at www.WorldMusic.org.

World Music/CRASHarts presents the Boston debut of an exciting new Fall Flamenco Festival direct from Spain, Gypsy Flamenco~Gitano Roots of Flamenco featuring Angelita Vargas and Jairo Barrull performing the Boston premiere of Gitanerías on Friday, November 19, 8pm and Pepe Torres and Company performing the Boston premiere of Homenaje on Sunday November 21, 3pm at the Berklee Performance Center, 136 Massachusetts Ave., Boston. Tickets for each performance are $50, $40 and $30. For tickets and information call World Music/CRASHarts at (617) 876-4275 or buy online at www.WorldMusic.org.

Direct from Spain, Fall Flamenco Festival 2010: Gypsy Flamenco~Gitano Roots of Flamenco captures all the passion, skill and excitement of Gypsy flamenco dance. Both programs will also feature an exceptional ensemble of traditional flamenco musicians, performing live on stage.

Direct from Seville, Gypsy flamenco dance icon Angelita Vargas and the young, dynamic Jairo Barrull join together for a mesmerizing night of Gypsy flamenco. Vargas swept Broadway in the 1980s with Flamenco Puro and was recently featured in a piece with the Farruco family that toured extensively to wide acclaim throughout Europe. Barrull, who is the great-grandnephew of legendary guitarist Diego del Gastor, has performed with such important figures as Concha Vargas and Juana Amaya. Gitanerías honors the passing down of flamenco traditions from generation to generation in the Gypsy community, where dance is an expression of cultural identity.

Dancer Pepe Torres is a polyrhythmic powerhouse whose superb footwork provided the main percussive support for the award-winning ensemble Son de la Frontera. Raised in Andalusia's Morón de la Frontera, a hotbed of Gypsy flamenco, he has toured extensively with Martirio, Antonio Canales, Sara Baras, Manuela Carrasco, Farruquito, Juana Amaya and many others. Torres comes to Boston with his own acclaimed company for the first time, performing Homenaje, a centennial tribute to his grandfather, legendary Gypsy flamenco singer Joselero de Moron, and a celebration of his family's unique contributions to the history of flamenco, which also includes his great-uncle, guitarist Diego del Gastor. Juan del Gastor will also appear as guest artist.

To download high resolution digital photos go to www.WorldMusic.org and click “PRESS CENTER”

About World Music/CRASHarts
World Music, a non-profit organization established in 1990, is New England’s premier presenter of global culture, featuring music and dance from the far and near corners of the globe. In 2001, World Music launched CRASHarts as a division of World Music dedicated to presenting a contemporary performing arts series in greater Boston. World Music/CRASHarts strives to offer audiences an opportunity to share in many different cultural and artistic expressions and seeks to foster an atmosphere of discovery and exploration. The organization presents approximately 70 concerts and 15 educational programs per year. For more information, call (617) 876-4275 or visit www.WorldMusic.org

World Music/CRASHarts is funded in part by the Massachusetts Cultural Council, a state agency which also receives support from the National Endowment for the Arts.

FALL FLAMENCO FESTIVAL 2010: Gitano Roots of Flamenco



WORLD MUSIC/CRASHarts PRESENTS
Direct From Spain
FALL FLAMENCO FESTIVAL 2010: Gitano Roots of Flamenco
2 PROGRAMS
Featuring:
Angelita Vargas & Jairo Barrull
Performing the Boston premiere of Gitanerías
Friday, November 19, 8pm, Berklee Performance Center
-AND-
PEPE TORRES & cOMPANY
Performing the Boston premiere of Homenaje
Sunday, November 21, 3pm, Berklee Performance Center

Tickets:$50-$30
FOR MORE INFO OR TO BUY TICKETS ONLINE NOW!
Groups of 20 or more receive a 20% discount on tickets when purchasing tickets in advance with World Music. Call 617-876-4275 for details.
For tickets and information call World Music/CRASHarts at (617) 876-4275 or buy online at www.WorldMusic.org.

World Music/CRASHarts presents the Boston debut of an exciting new Fall Flamenco Festival direct from Spain, Gypsy Flamenco~Gitano Roots of Flamenco featuring Angelita Vargas and Jairo Barrull performing the Boston premiere of Gitanerías on Friday, November 19, 8pm and Pepe Torres and Company performing the Boston premiere of Homenaje on Sunday November 21, 3pm at the Berklee Performance Center, 136 Massachusetts Ave., Boston. Tickets for each performance are $50, $40 and $30. For tickets and information call World Music/CRASHarts at (617) 876-4275 or buy online at www.WorldMusic.org.

Direct from Spain, Fall Flamenco Festival 2010: Gypsy Flamenco~Gitano Roots of Flamenco captures all the passion, skill and excitement of Gypsy flamenco dance. Both programs will also feature an exceptional ensemble of traditional flamenco musicians, performing live on stage.

Direct from Seville, Gypsy flamenco dance icon Angelita Vargas and the young, dynamic Jairo Barrull join together for a mesmerizing night of Gypsy flamenco. Vargas swept Broadway in the 1980s with Flamenco Puro and was recently featured in a piece with the Farruco family that toured extensively to wide acclaim throughout Europe. Barrull, who is the great-grandnephew of legendary guitarist Diego del Gastor, has performed with such important figures as Concha Vargas and Juana Amaya. Gitanerías honors the passing down of flamenco traditions from generation to generation in the Gypsy community, where dance is an expression of cultural identity.

Dancer Pepe Torres is a polyrhythmic powerhouse whose superb footwork provided the main percussive support for the award-winning ensemble Son de la Frontera. Raised in Andalusia's Morón de la Frontera, a hotbed of Gypsy flamenco, he has toured extensively with Martirio, Antonio Canales, Sara Baras, Manuela Carrasco, Farruquito, Juana Amaya and many others. Torres comes to Boston with his own acclaimed company for the first time, performing Homenaje, a centennial tribute to his grandfather, legendary Gypsy flamenco singer Joselero de Moron, and a celebration of his family's unique contributions to the history of flamenco, which also includes his great-uncle, guitarist Diego del Gastor. Juan del Gastor will also appear as guest artist.

To download high resolution digital photos go to www.WorldMusic.org and click “PRESS CENTER”

About World Music/CRASHarts
World Music, a non-profit organization established in 1990, is New England’s premier presenter of global culture, featuring music and dance from the far and near corners of the globe. In 2001, World Music launched CRASHarts as a division of World Music dedicated to presenting a contemporary performing arts series in greater Boston. World Music/CRASHarts strives to offer audiences an opportunity to share in many different cultural and artistic expressions and seeks to foster an atmosphere of discovery and exploration. The organization presents approximately 70 concerts and 15 educational programs per year. For more information, call (617) 876-4275 or visit www.WorldMusic.org

World Music/CRASHarts is funded in part by the Massachusetts Cultural Council, a state agency which also receives support from the National Endowment for the Arts.